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The uncut scene television version has Valentine entering the main hall of the building and going through a series of interactions with the same people that were pretty much identical to the scene near the beginning of the movie when Winthorpe Dan Aykroyd enters the building to go to work.
This scene is one of the many ways of portraying contrasts in the movie This scene also shows why Valentine has a smile on his face as he exits the elevator and speaks confidently to the receptionist. Valentine sure was nervous before he entered the building talking to Coleman, but gains confidence as he progresses down the main hall toward the elevator. In this edited version as soon as Billy Ray and Louie go down the escalator at 30th street station in Philadelphia it cuts straight to The World Trade Center right where Louie says "Well this is it the last bastion of real pure capitalism on earth".
There was a scene in the movie that was not included in the final cut, but can only be seen when the movie is shown on television presumably to fill a longer time slot with commercials. In the original cut, he goes from the phone booth to the Amtrak train platform, holding the briefcase with the crop report.
Yet in this added scene, we see Beeks go and procure the reports from a secured vault where he drugs a security guard and uses the guard's keys to open a safe-deposit box. Trivia at around 1h 50 mins Don Ameche 's strong religious convictions made him uncomfortable with swearing.
This proved to be a problem for the scene at the end of the movie, where he had to shout out "Fuck him! When he did act out the scene, it had to be done in one take, because Ameche refused to do a second one.
Goofs at around 15 mins As Billy Ray is walking away from the two policemen his knees are wet. After crossing the street towards the Heritage Club, his knees are suddenly dry. Quotes [last lines] Louis : Looking good, Billy Ray!
Turner as ' Even Bigger Black Guy'. Alternate versions Another scene that is only available in the television version is one where Valentine Eddie Murphy first enters the Duke and Duke building. The cut version shows Coleman dropping off Valentine for his first day of work, then showing a smiling Valentine exiting an elevator and speaking to a receptionist.
The uncut scene television version has Valentine entering the main hall of the building and going through a series of interactions with the same people that were pretty much identical to the scene near the beginning of the movie when Winthorpe Dan Aykroyd enters the building to go to work.
This scene is one of the many ways of portraying contrasts in the movie This scene also shows why Valentine has a smile on his face as he exits the elevator and speaks confidently to the receptionist. Valentine sure was nervous before he entered the building talking to Coleman, but gains confidence as he progresses down the main hall toward the elevator. User reviews Review. Top review. A shocking tale of life in business. Dan Aykroyd The Blues Brothers stars as Louis Winthorpe, a smart and rich businessman who gets his life turned around when he is kicked out of his house and is forced to live on the street, all because of 2 other businessmen who have placed a wager to see if a street thief would succeed in his place.
In this ambitious and dramatic tale, viewers are invited into the hard and cruel life of the business world and what goes on behind closed doors, and though unrealistic, is a tale of cunning and loyalty in a great comedy drama.
In his best ever role, Eddie Murphy Beverly Hills Cop stars as street urchin Billy Ray Valentine, a cheeky and egotistical man who can't believe his luck when he is invited to work for the Dukes, the two businessmen who are scamming against him. Murphy excels in his own way, with that big smile and that own sophistication that he does so well, and the reason that this is his best ever role, is because as well as the comedy, there is a strong and determined belief about his character that is admirable and watchable and through his portrayal, we can see differences in the type of culture his character takes to.
Murphy is matched on every level by an excellent performance by Aykroyd whose life falls through our very eyes. The way his life can't seem to get any worse is one of the many reasons this film works so well. These performances are matched with a gripping plot that sees viewers taken into the dark side of the business life, and through two evil and manipulative money driven owners, the Dukes.
And the concept of money drives the film forward and the cruelty behind their bet is unbelievable and horrible to even think about, and is shown in such a dramatic fashion. There is plenty of illegal activity, not to mention racial abuse and discrimination through the hierarchy that it is unthinkable that business was once like this.
Though I was completely lost during the final couple of scenes, this is a serious ideology encoded into a fairly humorous and dramatic film about the dealings and the life in business. Stampsfightclub Aug 3, FAQ 4. They already have a briefcase full of cash.
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