All sought out longer tracks, digging into obscure album cuts and rare imports to acquire the sort of records they desired, knowing they could use breaks and vamps to segue smoothly from one track to the next, keeping their audience locked in on the dance floor in the process. It is this collective discovery, this secret DJ knowledge, that drove the invention of both the remix and the re-edit in the s.
DJs from both the disco and hip-hop worlds would use two copies of the same tune to extend breaks and vamps and to eliminate interruptions to the musical flow. The sole purpose was simple: they never wanted to give anyone an excuse to leave the dance floor. DJs began making their own reel-to-reel edits to mimic this process, to create long, danceable grooves. Edits were often simply neater cut and paste versions of what they would do live with two records.
The remix too was born from the same necessity: DJs needed and dancers wanted records that were specifically re-tooled for the dance floor. The second classically defining feature of remixes and re-edits was legality. Re-edits were done privately, usually for use only by the DJ who made them and legally, were in a much murkier area. Although technically infringing copyright, throughout the pre-digital era the larger music industry was content to ignore DJ re-edits as they could be an effective promotional tool for the record labels and it was only working DJs who had access to them.
There are huge quantities of unlicensed re-edits, remixes, cover versions and mash-ups online. So is there a clear answer to the question of difference between remixes and a re-edits? You no longer need original parts to make a final production that sounds more like a remix. Software like Logic, Ableton Live, and Reason have become more sophisticated, and enabled producers to substantially manipulate and change the source material.
Mashups reached popularity in the s and s. A dub version of a track removes vocals from the original. Shop News Music Industry Resources.
Remix Starting off with the most widely heard take on an original production: the remix. Related Post. Subscribe To Our Mailing List. So how do you tell the difference between a remix and an edit? The lines between them can be a bit blurry, so read on for a quick guide. A remix is when a producer gets the stems of a song to create new work, with the blessing of the original artist. They may choose to take the song in a completely new direction. This is often, but by no means exclusively, done with an eye on playing these songs out in a club setting.
A great remix can breathe new life into a track and even elevate the careers of smaller artists. The word bootleg actually has a couple of meanings in music. Bootleg recordings are typically music that has never been officially released commercially but someone has leaked out. This is often with early works of artists like The Beatles or Bob Dylan. In dance music specifically, bootlegs are unofficial remixes of songs, so are often done without having the proper stems.
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